By using our services, you agree to our use of cookies. ○   Boggle. Photograph: Teddie Taylor L ingua Ignota , AKA Rhode Island musician Kristin Hayter, released one of 2018’s most startling and unfairly overlooked records in All Bitches Die.

“I don’t know if [creating a work of catharsis would] be something I would be able to do if I were trying to do it. Laurence Moulinier, "Un lexique trilingue du XIIe siècle : la lingua ignota de Hildegarde de Bingen", dans Lexiques bilingues dans les domaines philosophique et scientifique (Moyen Âge-Renaissance), Actes du colloque international organisé par l’Ecole Pratique des Hautes Etudes-Ive Section et l’Institut Supérieur de Philosophie de l’Université Catholique de Louvain, Paris, 12-14 juin 1997, éd. Each square carries a letter. I think there is a larger kind of processing that is happening in the music, project, and work,” she says. The text is a glossary of 1011 words in Lingua Ignota, with glosses mostly in Latin, sometimes in German; the words appear to be a priori coinages, mostly nouns with a few adjectives. She partially described the language in a work titled Lingua Ignota per simplicem hominem Hildegardem prolata, which survived in two manuscripts, both dating to ca.

Change ), You are commenting using your Twitter account. De woorden doen vermoeden dat het een a-prioritaal betreft; zij zijn niet ontleend aan of gebaseerd op een bestaande taal. A Lingua Ignota (Latin for "unknown language") was described by the 12th century abbess of Rupertsberg, Hildegard of Bingen, who apparently used it for mystical purposes.To write it, she used an alphabet of 23 letters, the litterae ignotae. Lingua Ignota Lyrics, Songs, Albums And More at SongMeanings! Kenmerkend voor veel woorden is dat zij eindigen op een z: aigonz "god", aieganz "engel", zuuenz "heilige", enz. Der Wortschatz umfasst etwa 900 Begriffe, die einen Bezug zum menschlichen Leben sowie zur Natur haben. (Higley 2007 finds probable correspondences for two other words.).

LINGUA IGNOTA has always taken a radical, unflinching approach to themes of violence and vengeance, and “CALIGULA” builds on the transformation of the survivor at the core of this narrative. Hildegard beschreef de taal in een werk getiteld Lingua Ignota per simplicem hominem Hildegardem prolata, overgeleverd via twee manuscripten (Codex Wiesbaden en Berlin MS, ca. “So being a death march for a woman, it was recomposed and reinterpreted by a trans woman to express senseless violence and depravity done by men, to later be taken by a few other artists … I take it and give it my own bravado and bombast, so for me the cultural history of that sample is interesting.”.