Quickly moving chord progressions in unrelated keys – a challenge for any player. On first listen it may sound like he’s simply creating a spontaneous solo, but he is actually using the skeleton of the melody as the basis for his improvisation. Thanks.
"BLUE BOSSA" SOLO #1 - Learn a new Rich Severson solo for the popular Bossa Nova jazz standard Blue Bossa. There is a secret that all great musicians have in common. He found a way to make each idea expand to a logical conclusion while simultaneously spinning it off into fresh territory. Playing an Em7 arpeggio over Cmaj7 gives us the major 9 sound: Playing substitutions gives us a richer sound compared to playing the vanilla chords, something that is almost always desirable. This 16 bar solo will be thoroughly rehearsed with you, slowly and up to tempo, with detailed explanations.
Description Description. If you haven’t transcribed a solo before or found the entire process frustratingly difficult, not to worry – it’s time to start fresh! Learning Jazz Guitar: Method books – help or hindrance?
What story are you going to tell the audience? As a variation, you can make bar 2 into a C dominant 7th chord, by playing the F harmonic minor scale. Bang Bang (My Baby Shot Me Down) – Nancy Sinatra. Instead of playing a Cmaj7 arpeggio over Cmaj7, we will now play an Em7 arpeggio over Cmaj7. Try starting on the C of the 6th string for example. When playing jazz (or indeed any style) try thinking in leaps, 5th’s, 6th’s and 7th’s rather than steps, 2nd’s and 3rd’s as this will give greater harmonic depth to your solo. I begin the study on the root of Cm7, but try starting on any other chord tone. The first 8 bars are in C minor, then the next 4 bars move to D flat major, before returning back to C minor for the remaining 4 bars.
The line finishes using an intervallic sliding idea based around 6ths. 59 scores found for "Blue Bossa" ALL INSTRUMENTATIONS Piano solo (102) C Instruments (55) Guitar (48) Guitar notes and tablatures (37) Piano, Vocal and Guitar (35) B Flat, E Flat, C and Bass c… The first 8 bars are in C minor, then the next 4 bars move to D flat major, before returning back to C minor for the remaining 4 bars.