On the 65NANO90, the new backlight did a remarkably good job of compensating for the usual difficulties IPS panels have with controlling how much backlight gets through during dark scenes. Audio is 20W two-channel, with LG’s Ultra Surround processing available to add a more immersive feeling. As noted in the past section, the NANO91/NANO90 sets still use full array dimming (with the LEDs directly behind the screen), and support Dolby Vision (complete with the new IQ mode) and Filmmaker Mode. Gamers can now enjoy Nvidia G-Sync Variable Refresh Rate support; reduced input lag from last year; and automatic low latency mode switching with compatible source devices. LG’s LCD range is also looking much more interesting for 2020 than it has before. Not everyone liked the mandated soundbar of last year's W9 OLED. Like Dolby Vision, which LG OLED TVs have supported for a number of years now, HDR10+ adds extra scene by scene picture information to deliver punchier, more accurate HDR pictures to compatible TVs. You will receive a verification email shortly. New York, And it uses an IPS-type LCD panel, like its predecessor did. Though you don’t get a new Auto Genre feature introduced with the latest Alpha 9 processor in the CX and above, which adjusts various TV settings based on the type of content you’re watching. LG’s debut 8K LCD TV last year, the 75SM99, was cheap by 8K standards, but didn’t hit the mark with its picture quality. Not quite your pay grade? The GXes are design-centric models that deliver a halfway house between LG’s regular mainstream OLED designs and the insane slimness of the WX Wallpaper model. The other big news with the NANO91 and NANO90 ranges, as noted earlier, is their combination of LG’s usual IPS panel design with a new backlight system that better controls where power is sent on the screen to get round the usual IPS contrast limitations. LG CX 4K OLED TV - 48in, 55in, 65in, 77in. The NANO85s get feet under each corner, while the NANO86 gets a centrally mounted crescent bar stand. Screen sizes (prices): 55 ($NA/£2000), 65 ($NA/£3,000) inches, Launch dates: W/c November 2 for the 55-inch, w/c June 1 for the 65-inch. We’re still talking about LCD panels with direct backlights here, surprisingly - but there’s some variation when it comes to IPS. HDMI ports: 4, two with full bandwidth 48Gbps 2.1 support. The only difference between the NANO91 (which appear to only be available in Europe), and NANO90 ranges is a design one. The NANO95 isn’t as sleekly designed as the ‘Gallery’ NANO99s, either. The most significant spec change as you step down to the NANO85 (US) and NANO86 (EU) ranges is the shift to edge LED lighting rather than full array lighting. WebOS support continues through the UN71 range, though, as does the Filmmaker mode and HDR support. The only other major difference that I can see is that the UN73s wear a chunkier, black plastic design. But I’d say it could still offer some benefit based on the greater sense of depth and realism 8K can produce (more details on 8K can be found in this overview) even when you can’t necessarily make out every last pixel of extra detail. In all else, there’s really not much separating one from the other. Note that the WX series doesn’t carry any full 48Gbps HDMI 2.1 ports. LG's site is also extremely agonizing to go through since I can't really seem to find differences between these TVs. The main difference between the LG GX and WX OLEDs has to do with their audio capabilities. You still get most of LG’s key new features - such as Filmmaker Mode and Dolby Vision IQ - too. It’s great to see, too, that the ZX models are 8K ready right out of the box this year. Except that since this is a 4K TV rather than an 8K one, it doesn’t get the extra processing power reserved for 8K upscaling. These switch back to non IPS panels, reducing viewing angles but maybe slightly improving contrast. This combines a paper-thin ‘picture-on-wall’ OLED panel with a magnetic wall-mounting system to make the screen look like it’s actually built into your wall. There’s still Dolby Atmos decoding, but the power drops to 40W, and this is delivered across a 2.2-channel implementation rather than a 4.2-channel one. This decision by LG to go full bandwidth with two full HDMI 2.1 ports is very welcome at a time when other brands are tending to offer only certain HDMI 2.1 features, or calling ports HDMI 2.1 ports when they don’t necessarily support HMDI 2.1’s full potential bandwidth of 48Gbps. You still get the latest version of LG’s webOS platform, Dolby Atmos sound decoding, Dolby Vision HDR support (including Dolby Vision IQ), and the Filmmaker Mode. Also new to the ZX range will be the Filmmaker mode. Screen sizes (prices): NANO91 - 55 (£1,300), 65 (£1,700), 75 (£2,500), 86 inches (£4,000); NANO90 - 55 ($1,050/£1,300), 65 ($1,500/£1700), 75 ($2,500/£2,500) and 86 (US only - $3,300) inches. Launch dates: Out now for the 55, 65-inch NANO90 and NANO91; w/c April 13 for the 75, 86-inch models in Europe. NY 10036. The LG GX is a pleasing update that corrects the impracticalities of the WX’s design. Crucially, despite being only 20mm deep (in the 65-inch model’s case) and being able to fit flush to the wall, the GX models incorporate all their connections, processing and speakers within the main screen bodywork.