After the original in Naples, where Cupid is to her right, he is replaced by an elderly maid, holding out a cloth or dish to catch the gold coins spilling down from an explosion of colour in the sky which represents Zeus. [27], Joseph Bonaparte, whose brother Napoleon had made him King of Spain, had already lost Madrid, escaping with over 200 paintings in the carriage. This painting is part of a series of works executed by Gentileschi in 1622 for Giovanni Antonio Sauli’s Genoese Palazzo which includes the Getty’s Lot and His Daughters and a painting now in a private collection, The Penitent Magdalene.The subject is based on a passage in Ovid’s Metamorphoses, in which King Acrisius of Argos imprisoned his beautiful daughter in order to avoid the Oracle’s prophesy that she would give birth to a son who would kill him. 11 (1985), p. 56n63. This artwork is meant to be viewed from right to left.
[5], Danaë's pose is consistent throughout the various versions.
oil painting "Orazio Gentileschi." cat. by Luisa Vertova. 2016.6. "Gentileschi Loans on View." Kauffmann, C.M., revised by Susan Jenkins, This page was last edited on 10 October 2020, at 18:54. Bissell, R. Ward. 2 vols. 2, p. 258. Battista Tiboldi Compagni, 1674), p. 317. Nicolson, Benedict. 1, p. 197n4. 5.
21-23, 30. Danaë, aware of the consequences, allowed herself to be seduced and impregnated by Zeus, who broke through the defences by appearing in the form of a shower of gold,[8][9] which in ancient times had already been envisaged as a shower of gold coins, and the myth taken as a metaphor for prostitution, although the parallels with conventional depictions of the Annunciation were also part of Renaissance awareness. An oracle declared that Danaë, the daughter of Acrisius, would give birth to a son, who would kill his grandfather. Van Dyck a Genova: Grande pittura e collezionismo, exh. [12] Kenneth Clark sees the Danaë as Titian adopting the conventions for the nude prevailing outside Venice; "in the rest of Italy bodies of an entirely different shape had long been fashionable". 5, fig. 36, 41, ill. Christiansen, Keith. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more.
N/A. [42], Vasari's account needs to be treated within context; in his view draftsmanship — disegno — was the highest achievement in art, while colour was secondary. Although aware of the consequences, Danaë was seduced and became pregnant by Zeus(…
Instruzione di quanto può vedersi di più bello in Genova in pittura, scultura, ed architettura. 2, p. 78, no.
The version featured here is now in the Prado, Spain. Share. The base of a large classical column occupies the background of the centre of the painting, and to the right of that there is an elevated view of trees and distant hills, not very clearly defined.
She (rather than the old woman, as in the Vienna version) carries a large metal dish in readiness to catch it.
The Council of Trent began in December 1545 as it was being finished, and the cardinal became worried about an overt display of his affair; even though few would see the paintings in his private apartments, word would no doubt get around.
January 28, 2016, pp.
Soprani, Rafaello. [10], When Acrisius learned of Danaë's son Perseus, he refused to believe Zeus's role, and cast mother and child adrift at sea in a chest.
Citation: Permanent Link: Caravaggio und der Internationale Caravaggismus (Vienna: Kunsthistorisches Museum, with Silvana Editoriale, 2010), pp.178, 180-85, figs. ", -Rembrandt Nicolson, Benedict. Artibus et Historiae 6, no. buy your Bull, 178-181; In some depictions, notably Rembrandt's.
Baroque III, 1620-1700, exh. [28] The Arnolfini Portrait by Jan van Eyck was also in the carriage, but (being conveniently small) appears to have been looted by the soldiers, and next appeared in London in 1816 in the possession of Colonel James Hay, a Scottish colonel who had been at Vitoria. Please Studio of Peter Paul Rubens Flemish, 1577-1640. 500 Beginning Date: 1553. Dana and the Shower of Gold. Other secular Titian compositions with several versions are the Venus and Adonis with which this was paired, and the Venus and Musician, with either an organist or a lute-player.
Maria Teresa Pallavicino, 1840 - 1907 (Genoa, Italy), by inheritance to her son with Lazzaro Negrotto Cambiaso (1823 - 1902), Pier Francesco (Pierino) Negrotto Cambiaso.Source: Bologna, Marco, ed. 49-52, under no. [27], Wellington then informed the court of the restored Bourbon King Ferdinand VII of Spain, to make arrangements for their return, but the king said Wellington should keep them as a gift. N/A. "On Seicento Painting in Naples: Some Observations on Bernardo Cavallino, Artemisia Gentileschi and Others." brochure (Los Angeles: J. Paul Getty Museum, November 2002), unpaginated. But here she became mother of Perseus, notwithstanding the precautions of her father, according to some accounts by her uncle Proetus, and according to others by Zeus, who visited her in the form of a shower of gold. We respect your privacy 10.
Giffi Ponzi, Elisabetta.
c Oil on canvas. Acrisius then locked up and guarded his daughter Danaë in a subterranean dungeon, or alternatively a windowless tower room – a detail Titian ignores in most versions, giving a view at least to the sky on the right of the picture. This image is available for download, without charge, under the Getty's Open Content Program.
A: Wertmüller Sv.
This must have been high, as the paintings show the highlights of the collection and company the copy keeps is superb - in the smaller painting it is next to Giorgione's The Three Philosophers. Danaë and the Shower of Gold ca. [16] This figure is retained in later versions (except for Chicago), though changing in pose, appearance and action. This version has been designed to sit atop a cabinet and is in a very fine hand carved and gilded frame. Luisa Sauli Pallavicino, 1818 - 1898 (Genoa, Italy), by inheritance to her daughter with Francesco Camillo Pallavicino (1809 - 1878), Maria Teresa Pallavicino, 1898.Source: Bologna, Marco, ed. 2nd ed. He has a noble spirit; but as of present having no knowledge of design, he in his imitations of the life corrects nothing nor attempts to make it better, though possessed of a manner so easy and beautiful, so full of truth and animation. "Recent acquisitions (2013–16) at The J. Paul Getty Museum, Los Angeles." Odlozil, Michael, and Gudrun Swoboda.
349-51, fig. OF THE 4-7, 10, fig.
Caravaggism in Europe. cat. 2nd ed., rev. She was isolated in a bronze tower following a prophecy that her firstborn would eventually kill her father. Album navigation: Ctrl Ctrl. Santore, Cathy.
Italian Paintings from the Richard L. Feigen Collection, exh. 3-4. Cassill, Jean Kubota, et al. Costantino Sauli, 1793 - 1853 (Genoa, Italy), by inheritance to his daughter, Luisa Sauli Pallavicino (or possibly to his oldest daughter, Maria Sauli), 1853.Source: Bologna, Marco, ed. It and two other Titians reattributed at the same time were briefly put on public exhibition there, for the first time, in 2015. In other accounts it was a bronze dungeon. Da Morrona, Alessandro. All structured data from the file and property namespaces is available under the. The painting is on extended loan from the Barker Welfare Foundation; Penny, 283; Gallery of Archduke Leopold Wilhelm (Brussels), The Archduke Leopold Wilhelm in his Painting Gallery in Brussels, "Italy to Lend Prized Titian Painting to National Gallery of Art to Celebrate Commencement of EU Presidency", Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter, The Virgin and Child with Saint George and Saint Dorothy, The Presentation of the Virgin at the Temple, Madonna and Child with Saints Luke and Catherine of Alexandria, https://en.wikipedia.org/w/index.php?title=Danaë_(Titian_series)&oldid=982848265, Paintings of the Kunsthistorisches Museum, Paintings by Titian in the Museo del Prado, Creative Commons Attribution-ShareAlike License. While the series freely describes desirable flesh in an overtly sexual manner, Titian transforms the motifs of courtesans and carnal desire into the more highbrow realm of classical myth. 15. Touch. Danaë delivered to Philip 1550, now Wellington Collection, with earlier and later versions. [17] Her undoubted unattractiveness, pronounced in some versions, draws attention by comparison to the beauty of Danaë.
google_ad_client = "pub-0041503901316179"; Mauris lorem nunc, cursus sit amet enim ac, vehicula vestibulum mi. The story of Danaë is told in works such as Ovid’s Metamorphoses, and forms a common motif in art from the Renaissance onwards. L'archivo della famiglia Sauli di Genova (Genoa: Società ligure di storia patria, 2000), pp.
The left side of each canvas is an interior, although sometimes showing a distant landscape view. This page was last edited on 13 December 2019, at 13:04. Praesent sit amet ornare diam, non finibus nulla. Prohaska, Wolfgang, and Gudrun Swoboda, eds.
will help to make clear what The divan and its decoration, Danaë’s hairstyle and body shape and the warm, golden colours that dominate the painting are all expressions of the Neoclassicism that was the height of fashion in the late 18th century. Falomir video; Penny, 203, says "probably" delivered in 1550.